Tuesday, January 31, 2012

Analysis of Wilfred Owen's "Anthem for Doomed Youth"

Wilfred Owen was born on March 18, 1893. He is considered to be one of the leading WWI poets. He served in the British army during WWI. His family lived comfortably in Owen's grandfather's house until he died in 1897, then the family had to move to the poorer part of Birkenhead. He went to Birkenhead Institute and Shrewsbury Technical School. He began writing poetry when he around ten years old, and continued to write until his death. He was raised in the Anglican church of the evangelical school; he was a devout believer in his youth. He was admitted into the University of London in 1911, but due to his family's financial struggles he had to work as the lay assistant to the Vicar of Dunsden as a pupil-teacher at Wyle Cop School  for free lodging and some tuition. During his time at Dunsden parish that he became disenchanted with his religion. He was working as a private tutor at the Berlitz School of Languages in Bordeaux, France when WWI broke out. On October 21, 1915, he enlisted in the Artists' Rifles Offiers' Training Corps. On June 4, 1916 he was commissioned as a second lieutenant in the Manchester Regiment. Owen began the war optimistically, but after two traumatic events his mindset changed. First, he was blown high into the air by a trench mortar and landed in the remains of a fellow officer. Second, he was trapped in an old German dugout for days. He was diagnosed with shell shock and sent to the Craiglockhart War Hospital in Edinburgh. It was here that he met Siegfried Sassoon. Sassoon had a huge impact on Owen's life and poetry. Owen's poetry became dark as he portrayed the horrors of the front line as realistically as he could. His poetry went against the public perception of the war at that time; it helped to open the eyes of the non-militant people back home. He returned to light regimental duties in March of 1918 at the Northern Command Depot at Ripon. He wrote a number of poems while he was in Ripon, the most notable are "Futility" and "Strange Meeting." He returned to the front line on October 1, 1918, and led the Second Manchester. While he was trying to cross a canal, he was shot in the head and died. WWI ended one week later. He was later awarded the Military Cross, which for him validated him as a war poet. 

Anthem for Doomed Youth

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds. 

This poem is specifically about the death of a soldier and the notification of that death to his family. This is the reality of war. The word “anthem” has a few different meanings, the one that seems to be the most pertinent to this poem is: an unusually rousing popular song that typifies or is identified with a particular subculture, movement, or point of view. Soldiers of WWI would definitely identify with this poem; no one else (i.e. civilians) could understand everything that they went through during the war. They are fighting a war without knowing the real reasons behind it. They were often poorly equipped. They are the doomed youth of their day. 

CLICK HERE for the rest of the analysis of Wilfred Owen's "Anthem for Doomed Youth"

Wilfred Owen image: http://www.shropshirestar.com/wp-content/uploads/2010/09/Wilfred-Owen.jpg

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